Tibetan Sand Mandalas

This stems from a discussion I had with Taibi, and later developed with Aubrey, about the format of our performance. Coming out of talking about permanence vs. impermanence and the idea of ecology, we're starting to think of the performance as a form of Tibetan Sand Mandala.

We're starting to come to the conclusion that whatever groundplan or design we develop should be brought into the space, and set up as the beginning of the ritual. At the end of the performance, the set is deconstructed again and given away to the participants.